I try to stay off my soap box. If for no other reason than it tends to get slippery, that box of suds and foam. But I wanted to take the time to share about my journey in the craft of writing, and a few thoughts on the road that can feel unending.
Haunted by the ongoing buzzing that has been stalking the internet, in regards to self publishing vs. traditional publishing, I've been reading blogs, turning over my thoughts and wondering if it's okay to open my mouth. As writers, we're all in this together. As a community of writers, we should be lifting each other up, celebrating potential and visualizing success to all. Because it's really about the craft, about the books and the joy that they can bring.
When it comes to getting your book out there, I understand the appeal of self-publishing. 1. It's near instant gratification. If we're honest, like brutal by the skin of our teeth honest, we're in the age of gimme, gimme, I need, I need. If we self pub, we can publish our work on our own time table - set our price and
be the bearer of our future. (That last part was said in a near-perfect imitation of Dr. Claw - think arm slamming as Inspector Gadget refuses to self-destruct.)
2. Getting an agent is (typically) excessively hard work. Query, query, query. Rejection, rejection, non-response. Contemplate burning books, wiggling your ass at the writing world and taking over the vacancy that Homey D. Clown left. Cave and query, query, query. Then research valium and prozac before giving up to go buy something shiny - in hopes we can stop thinking about all the queries in query wonderland.
3. Once you secure an agent (and there is no given on how long it takes to aquire one), you edit (or bludgeon, perform life-saving surgery and magically re-infuse with life) your manuscript. After you've turned it into something truly beautiful to behold, your agent will send it out on submission. Now you wait. The waiting, much like the great query scavenger hunt, does not have a set timeline.
The traditional route is heavy, man.
But if you go this route, you come out with a team. There are no guarantees here that your book will sell instantly to a publisher, that when it does come out hordes of people will dive into book stores like you're selling the contents of the Spring Prada catalog for $4.99 a pop. But you do have people who believe in you, and perhaps more importantly your work, and they are willing to bust their asses on your behalf, and cross the finish line by your side.
The self publishing route is trickier. I'm not going to break it down, I believe
Amanda Hocking (whose Trylle trilogy I've read and really enjoyed) does a better job. What I will say is that neither route guarantees it will bring you the money.
Here is the part that comes from my experience. I am a writer. I have been writing all my life (picture an eight-year-old writing very jaded poetry on her walls with crayons). I majored in English, minored in Writing, and wrote my first novel five years ago. That novel's hiding next to its sister companion in a trunk, far, far away from here.
I switched genre's, secured my agent and now write my ass off. I have not yet sold to a house, and I will not tell you where I am in that process (Irish = superstitious). For the past 2 years I have been interviewing authors (from NYT Bestsellers, to the phenom who inspired me to become an author, to self-pubbed locals), picking their brains, celebrating their amazing works and learning every step of the way.
I write every day. Either on a WIP, article, poem, blog or short story.
I read EVERYTHING. When I can't read, I listen to audio recordings of the classics on LibriVox. Every day, I immerse myself in the craft of writing. I'm rolling in literature, art and the ways of the written world. My intention is to sponge up, to soak up every particle of artistic creating that I can.
As a reviewer, I am open to reviewing self-published works. Like I said before, we are all in this together. But I come across a lot of poorly done self-published novels (not all, mind you, but quite a few). Grammar, sentence structure, voice, dialogue, plots - all of these are fundamental building blocks for the foundation of a great novel. When these elements are not there, the story falls apart.
It breaks my heart when I see this in a work. Because rarely is the kernel for something wonderful not there. But the story was rushed, the desire of publication put first over the dream of a perfected product. If I can't lose myself in a story, I mourn what could have been. Because novels, the undeniable splendor that is a book, can shape new worlds.
They have certainly transformed mine.
What I am saying, after a heinous amount of rambling, is follow your dreams. Believe in yourself, but do the work. You're worth it, your novel and your readers are really worth it. Let go when you can, try not to put the pressure of tomorrow on today. Edit, write and edit again. Submit, query and attend workshops or find a group of writers to critique with. Don't ever, ever give up -- unless it's not really what you want.
But please. Please, please, please, don't undervalue your book. Don't think it doesn't deserve the added days, months or years of being shaped into a work that could change someone's life. No matter the route of publication you send it through, make it about the story. Not you, not the agents or editors or the consumers at large. Make it about the dreams that it may carry to someone else.
Today's word is:
vernacular